|
Elvira & Michael |
| EM1 |
Body tension and points of contact. The basic ways of transmitting information and signals in dance. |
| EM2 |
Tango Vals: variety of curves in a tight embrace. Giro modified for compact dancing. |
| EM3 |
Giro: Three ways to solve a turn. Correct geometry and timing. Mixture of classical salon and contemporary. Ideas. |
| EM4 |
Milonga: Exchange of rhythmic patterns between the two roles. Playful approach to musicality. |
| EM5 |
Entradas and sacadas for both roles. Control of timing and reversibility Mixture of classical salon and contemporary ideas. |
| EM6 |
Enganche chains. How to combine "grabs" into a harmon. Combination. Mixture of class. Salon and contemporary. ideas. |
| EM7 |
Milonguero: Subtle tricks for the crowded dance floor. Turns on the spot. Maintaining the embrace while spinning. |
| EM8 |
Milonguero: Gavito's legacy. Spiral cross and basic step on the spot. The woman's role in making contact. |
| EM9 |
Milonga: Lambo & "El Gato" style. We share our techniques and personal discoveries. |
|
Eugenia & Yanick |
| EY1 |
Exceptional barridas. |
| EY2 |
Backwards sacadas: tricks for both roles. |
| EY3 |
Simple colgadas: pleasant and elegant from the axis. |
| EY4 |
Rebotes and bloqueos. |
| EY5 |
Variations of giros with boleos. |
| EY6 |
Volcadas: effective and yet comfortable off-axis. |
|
Frank Obregón (assistiert von Paloma Chamrai) |
| FO1 |
Crossing, both for women and men, in terms of musicality, timing and different resolvments. |
| FO2 |
Vals: The musicality and figures of the Vals can be complex and expresses very different in dance compared to a Tango. |
|
Bruna & Franco |
| BF1 |
Tango: mastering rhythmic sequences in your own style. |
